Author Archives: Derek Hampson

A bird in the head

Derek Hampson White Fantail 2017, Oil on board and wood construction, 30 x 23 x 9 cm. A bird in the head Danielle Arnaud 123 Kennington Road London SE11 6SF 10 June – 8 July 2017 Private view: Friday 9 … Continue reading

Posted in Uncategorized | Leave a comment

Starting 26th January 2017, the Art & Theory Reading Group met once a month for four months, at Wollaton Street Studios, to discuss Jacques Derrida’s Given Time: 1. Counterfeit Money. Examining the implications for artistic practice of its ostensible theme … Continue reading

Posted in Uncategorized | Leave a comment

The Luck of the Gift

The Unconditionality of the Gift and the Event (123) The event…the unique, the one-off, happening now and never to be repeated. Both the gift and the event must be unforeseeable and must be structured by the aleatory the “chancy,” apprehended … Continue reading

Posted in Uncategorized | Leave a comment

The narrative structure of Counterfeit Money 2

What happens in the story happens to the narration (122) Derrida says that the effect of Counterfeit Money is that of an event that has taken place. This event is not the content of the story, that which the narrative … Continue reading

Posted in Uncategorized | Leave a comment

The narrative structure of Counterfeit Money 1

The economic cycle of confession and unforgiveness (121) There is a structure of narrative relation between the friend and the narrator in Counterfeit Money. This is expressed in what the friend recounts to the narrator, “it was the counterfeit coin,” … Continue reading

Posted in Uncategorized | Leave a comment

What is unforgiven in Counterfeit Money?

Betrayal and the Failure to Give (GT, 116-120) Baudelaire’s Counterfeit Money, overview The story is a first person account, in which the narrator and his friend encounter a beggar, to whom the friend gives a two-franc coin, before confessing, to … Continue reading

Posted in Uncategorized | Leave a comment

Why Counterfeit Money is a story of tobacco

A risky promenade (GT, 114-115) Derrida characterises his approach to Counterfeit Money, and his numerous digressions leading up to the final chapter, as a “risky promenade,” one which reflects the journey of the two friends in Baudelaire’s story.(114) He then … Continue reading

Posted in Uncategorized | Leave a comment